Distagon T* 2,8/15

2,8/15

Distagon T* 3,5/18

3,5/18

Distagon T* 2,8/21

2,8/21

Distagon T* 2/25

2/25

Distagon T* 2,8/25

2,8/25

Distagon T* 2/28

2/28

Distagon T* 1,4/35

1,4/35

Distagon T* 2/35

2/35

Planar T* 1,4/50

1,4/50

Planar T* 1,4/85

1,4/85

Apo Sonnar T* 2/135

2/135

Makro-Planar T* 2/50

2/50

Makro-Planar T* 2/100

2/100

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Events

PhotoimageBrasil - International Image Trade Fair

08/26/2014 - 08/28/2014
Brazil, Sao Paulo

Photokina - World of Imaging

09/16/2014 - 09/21/2014
Germany, Köln

Cinec, Trade fair for Cine Equipment and Technology

09/21/2014 - 09/23/2014
Germany, München

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Makro-Planar T* 2/50

See the world from many perspectives

Classic portraits are as much the strength of the Makro-Planar T* 2/50 as the most striking details from close up. Thanks to its high performance at any distance, this macro lens can be used for a variety of tasks. As one of the fastest macro lenses available, small details can be isolated from the foreground and the background for great creative control.

Technical specifications:

Focal length 50 mm
Aperture range f/2.0 – f/22
Focusing range 0.24 m – ∞
Number of elements/groups 8/6
Angular field, diag./horiz./vert. 45°/38°/26°
Coverage at close range 72 x 48 mm

Image ratio at close
range

1 : 2
Filter thread M 67 x 0.75
Dimensions (with caps) ø 72-75 mm, length 88-91 mm
Weight 500 g - 570 g
Camera mounts F Mount (ZF.2)
EF Mount (ZE)

Makro-Planar T* 2/50

Design

The famous symmetric lens design invented by Dr. Paul Rudolph at ZEISS in 1896. The Planar lens is the most successful camera lens design – and, by the way, the most plagiarized – ever created. It provides the lens designer with numerous means to correct aberrations extraordinarily well. And its performance is very constant over a wide range of imaging ratios, enabling such a versatile lens variety as the Makro-Planar lens.

Planar with 8 lens elements in 6 groups
"Floating Elements" design

Makro-Planar T* 2/50

Features

Homogeneous image quality throughout the image field

ZEISS lenses are famous for their extraordinary image quality. Even with challenging subjects, perspective, color and light are optimally rendered – throughout the entire 35 mm image field. For this reason, we place great emphasis on particularly high image quality, e.g. low distortion and outstanding stray light reduction for rich colors.

Excellent image quality

The ZEISS range of T*® lenses offers the highest possible standards in terms of performance, reliability and, of course, image quality. Quite simply, they are superior in every way. You can count on highly advanced flare control for crisp and brilliant images, for example. And virtually zero geometric distortion, ensuring precise accuracy when reproducing shapes – especially useful when photographing products and architecture. 

Floating Elements Design

Today’s camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range. This is achieved by variation of the axial distance between individual lens elements or groups. This adjustment of the lens-to-lens distance is coupled to the distance setting to ensure correct compensation at all times. The mechanical construction of these lenses is extremely complex and they must be assembled with utmost precision – both of which are key competencies of ZEISS.

Ideal aperture with nine blades

Photographers want to guide the observer through the image. Minimal depth of focus is often used as a design element. This keeps the background intentionally blurred to keep the attention of the observer on the main subject. These different representations of the blurred areas, as well as the quality of the transition, are referred to as the Bokeh of a lens. The finely tuned features of the optical design on ZEISS SLR lenses ensure a particularly harmonious effect of the blurred areas of the image. The nine diaphragm blades and the resulting, virtually circular aperture on ZEISS SLR lenses are crucial to favorable rendition of highlights in the fore and background.

Elaborate stray light reduction

Rich, vibrant colors are vital to creating a lasting impression. Stray light in the lens, however, would lead to a brightening of the image, which is particularly visible in shadow areas. Image contrast is lowered; the image appears dull and bleached. We combine various, elaborate techniques to reduce unwanted stray light. For example, all lens elements are coated with the famous ZEISS T*® anti-reflective coating. Additionally, a jet black special paint is applied by hand to all lens element edges to ensure that reflections are prevented from the start.

Makro-Planar T* 2/50

Pictures on Flickr

Makro-Planar T* 2/50

Blog Articles

Haiku in the viewfinder
Natural Beauty | 2014-07-11 09:33:05 |

Haiku in the viewfinder

Kunito Imai is fond of animals and plants. In and around Tokyo he regularly searches out a small area of nature that he can capture in pictures using ZEISS lenses. His motifs reflect the changing light of the seasons. Portraits of primates, still lifes of flower petals, alluring macro photos — fo ...

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Lights in the night sky – lost in another world
Lights in the Night | 2014-02-06 16:00:36 |

Lights in the night sky – lost in another world

A clear night sky has always appealed to Loscar Numael. No smog and no light pollution — conditions you will only find outside in nature. When Numael points his ZEISS lenses at the sky — toward the Milky Way above California, for example, or the Northern Lights — he loses himself in ...

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Industry | 2013-08-04 10:04:42 |

Robots in Motion

How Do We Walk? This is what movement scientists at the Locomotion Lab* in the Friedrich Schiller University of Jena are investigating. As well as analyzing movement patterns in humans and animals, they also construct robots. High-speed cameras with high-qu ...

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Travel Photography | 2013-05-23 10:25:17 |

The magic of everyday – Laura Saffioti’s street reportage from India

As a travel photographer, Laura Saffioti often finds herself in exotic countries like India, searching for the stories of the street. Her shots of street life transport the viewer into the everyday life of cultures foreign to Europeans, placing the European value system in a new light. The perfor ...

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Colorful World | 2013-03-25 13:51:33 |

Radiant beauties

When you read the biography of well-known American fashion photographer Sean Riva, one thing stands out: beauty and art have always played a significant role in his family. He is the great-grandson of Marlene Dietrich, who has always been a role model for him due to her vision of beauty, her artisti ...

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Makro-Planar T* 2/50

Reviews & Awards

Reviews

photographyreview.com
"In this era of plastic-barreled mass-produced lenses, the Zeiss ZF lenses stand out in sleekly-elegant fashion..."
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diglloyd.com
"The Zeiss 50mm f/2 Makro Planar is an outstanding lens of a symmetric design, which minimizes aberrations of many kinds..."
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slrgear.com
"Since the company firmly entered the SLR market in January 2006 with its ''Z'' series of lenses, Carl Zeiss has steadily released new..."
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photozone.de
"The Zeiss Makro-Planar T* 50mm f/2 is one of two macro lenses in the Zeiss Z-lineup. Just like its sister lens, the Zeiss..."
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Awards

Fototest 2011
Issue 01, 2011 (German Magazine)

Colorfoto
Issue 02, 2010 (German Magazine)

Colorfoto
Issue 06, 2011 (German Magazine)