Distagon T* 2,8/15

2,8/15

Distagon T* 3,5/18

3,5/18

Distagon T* 2,8/21

2,8/21

Distagon T* 2/25

2/25

Distagon T* 2,8/25

2,8/25

Distagon T* 2/28

2/28

Distagon T* 1,4/35

1,4/35

Distagon T* 2/35

2/35

Planar T* 1,4/50

1,4/50

Planar T* 1,4/85

1,4/85

Apo Sonnar T* 2/135

2/135

Makro-Planar T* 2/50

2/50

Makro-Planar T* 2/100

2/100

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04/17/2014 - 04/20/2014
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05/03/2014 - 05/03/2014
Germany, Fürth

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05/06/2014 - 05/08/2014
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Planar T* 1,4/50

Reveal the true character

The focal length of the Planar T* 1,4/50 is equal to the perspective of the human eye. Its fast aperture and exceptional compactness are its outstanding features. This lens produces pleasing portrait style quality at the widest aperture and sharpens considerably beyond f/4 for any general purpose application.

Technical specifications:

Focal length 50 mm
Aperture range f/1.4 – f/16
Focusing range 0.45 m – ∞
Number of elements/groups 7/6
Angular field, diag./horiz./vert. 45°/38°/26°
Coverage at close range 24 x 16 cm
Filter thread M 58 x 0.75
Dimensions (with caps) ø 69-71 mm, length 66-71 mm
Weight 330 g - 380 g
Camera mounts F Mount (ZF.2)
EF Mount (ZE)

Planar T* 1,4/50

Design

The famous symmetric lens design invented by Dr. Paul Rudolph at ZEISS in 1896. The Planar lens is the most successful camera lens design – and, by the way, the most plagiarized – ever created. It provides the lens designer with numerous means to correct aberrations extraordinarily well. And its performance is very constant over a wide range of imaging ratios, enabling such a versatile lens variety as the Makro-Planar lens.

Planar with 7 lens elements in 6 groups

Planar T* 1,4/50

Features

High-Speed Lens

Great low-light shots start with a great lens for your SLR camera. A high-speed lens captures as much light as possible. A lens with a wide maximum aperture offers the best results in difficult lighting conditions.

Ideal aperture with nine blades

Photographers want to guide the observer through the image. Minimal depth of focus is often used as a design element. This keeps the background intentionally blurred to keep the attention of the observer on the main subject. These different representations of the blurred areas, as well as the quality of the transition, are referred to as the Bokeh of a lens. The finely tuned features of the optical design on ZEISS SLR lenses ensure a particularly harmonious effect of the blurred areas of the image. The nine diaphragm blades and the resulting, virtually circular aperture on ZEISS SLR lenses are crucial to favorable rendition of highlights in the fore and background.

Excellent image quality

The range of ZEISS T*® lenses offers the highest possible standards in terms of performance, reliability and, of course, image quality. Quite simply, they are superior in every way. You can count on highly advanced flare control for crisp and brilliant images, for example. And virtually zero geometric distortion, ensuring precise accuracy when reproducing shapes – especially useful when photographing products and architecture. 

Elaborate stray light reduction

Rich, vibrant colors are vital to creating a lasting impression. Stray light in the lens, however, would lead to a brightening of the image, which is particularly visible in shadow areas. Image contrast is lowered; the image appears dull and bleached. We combine various, elaborate techniques to reduce unwanted stray light. For example, all lens elements are coated with the famous ZEISS T*® anti-reflective coating. Additionally, a jet black special paint is applied by hand to all lens element edges to ensure that reflections are prevented from the start.

High-quality all metal mounts

Noticeable quality and high value stability qualify ZEISS lenses for decades of intense use. The high-quality craftsmanship of the all-metal mounts, the easy-to-grip metal focus and aperture ring and the robust front bayonet and filter threads ensure an amazing photographic experience.

Planar T* 1,4/50

Pictures on Flickr

Planar T* 1,4/50

Blog Articles

Dramatic Perspectives | 2012-04-30 13:12:03 |

The fascinating world of nature

Breathtaking shots of glaciers, deserts, oceans, and canyons – in his pictures, Slovakian photographer Filip Kulisev (Master QEP, FBIPP), winner of several international photography prizes, captures the most beautiful places on the planet. Wide-angle lenses, such as the new ZEISS ...

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Extreme Photography | 2012-03-07 15:15:23 |

Closer to the heavens

The road from Manali to Leh in India goes through some of the world’s highest negotiable  mountain passes and leads to the enchanting region of Ladakh, also known as “Little Tibet”. Photographer Saravana K. (33) fr ...

Read more ...

Planar T* 1,4/50

Reviews & Awards

Reviews

photographyreview.com
"In this era of plastic-barreled mass-produced lenses, the Zeiss ZF lenses stand out in sleekly-elegant fashion..."
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diglloyd.com
"Meets or beats any other 50mm f/1.4 lens, with very high contrast and resolving power. The 50/1.4 Planar is the most..."
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imaging-resource.com
"Sean Reid, Imaging Resource contributor and publisher of Reid Reviews, has just completed what we believe is the first..."
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popphoto.com
"In 2007, German lensmaker Carl Zeiss branched out from the medium-format lenses it had concentrated on for decades..."
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Awards

FotoHITS Profi-Tipp
Issue 09, 2008 (German Magazine)

The Best Photo Gear of the Year
popphoto.com